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2025.01.09 03:52 nov2017redditor OOTL. Ano nangyari sa redditPH at biglang naging pro Vic Sotto about sa Pepsi Paloma issue?

Neutral-(ish) party here.
Dati parang laging anti-TVJ yong mga tao dito sa reddit. Pero ngayon, biglang naiba yong ihip ng hangin dahil kay Darryl Yap.
Dahil lang ba si Darryl Yap na yong nagkwento? Or natauhan na sila na hindi totoo ung issue kay Pepsi Paloma?

submitted by nov2017redditor to ChikaPH [comments]

2025.01.09 13:36 ExistingMall1852 Can someone help me,my feed has producing random post and i hate it

2025.01.09 07:12 CoachPsychological99 What’s your take on Pepsi Paloma Daryl yap vs Vic sotto issue

May mali ba talaga si Daryly yap na idinawit si Vic sotto kahit na ung let say ung full movie is not implicating vic sotto. pero ung video trailer is nag iinsinuate otherwise.

submitted by CoachPsychological99 to LawPH [comments]

2025.01.09 05:41 Positive_Decision_74 Php35M lawsuit probably biggest lawsuit filed by a celebrity

2025.01.09 13:53 infiniteuwuwu 38M PST – Anybody wanna voice chat ??

Just looking for people to have some nice, chill voice calls with. Introverted here, but I do yap a lot. Into a lot of the typical things most redditors are into: anime, tech, gaming, retro stuff. I’m also looking for people to watch shows, movies, and anime with, and to play games together. I’m down to chat about anything as long as you’re up for it.
Anyways, if you wanna voice chat, please, send me a message with some info about yourself! No pressure to continue talking if we’re not vibing.

submitted by infiniteuwuwu to chat [comments]

2025.01.09 09:13 artista_ph VIC SOTTO, NAGSAMPA NG 19 COUNTS NG CYBERLIBEL LABAN KAY DARRYL YAP DAHIL SA PEPSI PALOMA TEASER

VIC SOTTO, NAGSAMPA NG 19 COUNTS NG CYBERLIBEL LABAN KAY DARRYL YAP DAHIL SA PEPSI PALOMA TEASER https://youtu.be/IqRYjlAs49c https://youtu.be/IqRYjlAs49c https://youtu.be/IqRYjlAs49c Nagsampa si Vic Sotto ng 19 counts ng cyberlibel laban sa direktor na si Darryl Yap nitong Huwebes matapos ang paglabas ng teaser ng pelikulang “The Rapists of Pepsi Paloma” kung saan binanggit ang pangalan ng aktor. Kinumpirma ng legal counsel ni Sotto, si Atty. Enrique Dela Cruz, na isinampa ang kaso sa Muntinlupa Regional Trial Court (RTC). Kasama ni Sotto ang kanyang asawa na si Pauleen Luna nang dumating siya sa korte. Sa kontrobersyal na teaser, tinanong ang karakter ni Pepsi Paloma kung siya ay ni-rape ni Vic Sotto, at sumagot ito ng “oo.” Sa isang panayam, sinabi ni Sotto na nanatili siyang tahimik tungkol sa mga viral na video, ngunit ngayon ay nagpasya na siyang kumilos para sa hustisya. “A lot of people have been asking me, ‘Ano reaction mo?’ Ito na po yun. Ito na po yung reaction ko. Sabi ko nga eh, ito’y walang personalan ito. I just trust in our justice system. Ako’y laban sa mga irresponsableng tao lalo na pagdating sa social media,” ani Sotto. Ibinunyag din ng aktor na walang sinuman mula sa produksiyon ng pelikula ang kumonsulta o nagpaalam sa kanya. “Walang kumunsulta, walang nagpaalam, walang consent,” aniya. Bagama’t nag-file siya ng kaso, sinabi ni Sotto na wala siyang sama ng loob sa mga aktor na bahagi ng pelikula. “Wala, trabaho lang ‘yon, no problem,” dagdag niya. Sinabi rin ni Sotto na buo ang suporta sa kanya ng kanyang pamilya, mga kaibigan, at mga tao sa kanyang laban para sa hustisya. Sa mensahe niya para kay Yap, wala siyang sinabi kundi ang “Happy New Year.” Samantala, iniutos ng Muntinlupa RTC ang agarang pagtanggal ng film trailer online. Nauna nang sinabi ni Yap na ang pelikula ay hindi tungkol sa TVJ—ang trio nina Tito Sotto, Vic Sotto, at Joey de Leon—bagkus ay tungkol kay Paloma. Gayunpaman, hindi niya itinanggi na ang TVJ ay bahagi ng pelikula. Sa iyong palagay, tama ba ang desisyon ni Vic Sotto na magsampa ng kaso, o bahagi lamang ito ng artistic freedom sa paggawa ng pelikula? *** Vic Sotto cyberlibel case, Darryl Yap Pepsi Paloma teaser, Vic Sotto vs Darryl Yap controversy, Pepsi Paloma case 2024, Cyberlibel charges Philippines, Darryl Yap legal battles, Vic Sotto lawsuit update, Philippine entertainment controversies, Vic Sotto Pepsi Paloma issue, Darryl Yap Vic Sotto legal case, Cyberlibel in the Philippines, Darryl Yap Pepsi Paloma teaser reaction, Vic Sotto legal actions, Entertainment legal issues PH, Pepsi Paloma movie controversy, Vic Sotto Darryl Yap feud, Darryl Yap latest controversy, https://preview.redd.it/gfy25nl6uwbe1.jpg?width=1920&format=pjpg&auto=webp&s=95fbb36b9b86ebb77c335a98f0cd9686479c8a3d submitted by artista_ph to SHOWBIZ_TSISMIS [comments]

2025.01.09 08:14 Silver-Fun-4954 Ang lala

2025.01.09 08:32 Neunindown 23 [f4A] hi want friends to chat and share music withh by#Seattle

Hi (again) !! Would love to meet some new friends, share music and play games, I love to yap ALL THE TIMEa and in home all the time except weekends. Love animals and art and I love to knit I also smoke a lot of weed and my favorite games is cyberpunk- I love anime and any horrothrillepsych movies I have some good show recs if you have some too and we could stream movies and watch them!! Would love some more girlfriends but open to everyone. I’m super lgbtq friendly and am pansexual myself 😊I have a daughter and idk we can chat more!! HMU okay byee

submitted by Neunindown to r4r [comments]

2025.01.09 01:19 Purple_Research_3197 19/M) just trying to make friends or have a conversation

Quite late, very bored and this is my first post so if anyone does message it would be appreciated but would love to stay up and talk to whoever about anything I don’t mind what age. I like all sorts of movies and shows. I have a ton of hobbies like playing football or video games Im a chef lol just thought i should mention because why not. Just going to yap on also because of how bored I am I’m tired of bots texting me ngl it’s annoying

submitted by Purple_Research_3197 to Needafriend [comments]

2025.01.09 10:46 BobaMTea123 Question about Darryl Yap

I keep seeing him on fb during covid then nawala and now dito narin sa reddit. I did a quick browse of his works and socmed, and I concluded na meron syang bad reputation.
Nagtataka talaga ako kasi: 1. Bakit may mga bigshot celebrity paring willing to work with him? 2. Bakit pinapayagan syang mag post ng mga short film na nakakacause talaga ng hate? (Example: NADEPRESS BA ‘KO?) 3. Ngayon palang bang nakasuhan sya ni Vic Sotto sya na call out about his films? 4. Lastly, saan nya nakukuha ang financial support nya para sa mga projects na yon?

submitted by BobaMTea123 to Philippines [comments]

2025.01.09 06:52 GMAIntegratedNews Vic Sotto files cyber libel case against director Darryl Yap

Actor and TV host Vic Sotto and his wife Pauleen Luna arrived at the Muntinlupa Regional Trial Court (RTC) to file 19 counts of cyber libel against director Darryl Yap before the Office of the Prosecutor in Muntinlupa. via Bernadette Reyes/GMA Integrated News submitted by GMAIntegratedNews to newsPH [comments]

2025.01.09 04:23 PhoemixFox2728 I should hate Murder Drones, but I don’t

This is the first essay of the new year, my country might have more of a cartoonishly evil tyrannical leader than any of the antagonists/villains from One Piece starting this year, but I won’t be able to do anything about it soon. Plus I and my best friends agreed on no politics until that man is out of office regardless of the means or circumstances from which he leaves, meaning if you really hate annoying Orange and own a gun this is your year to fulfill a public service. Enough with the edgy/terrible humor no one but me will like, I have made it extremely late to yet another popular series that 90 gazillion people have already talked about. However, I have a unique relationship with this show, despite already saying all I wanted to about it on a call with my friends I still have the urge simply because I think my rating of the series and my feelings on it together can start an interesting conversation. But if we want to get there effectively, we’ll have first to do a proper review, covering Murder Drones’
Any good piece of media has more than one genre it is incorporating and or riffing, it’s how you create a good cohesive, well-balanced media piece, each genre and its many tropes, cliches, and elements are like the many types and levels of ingredients that go into creating a nutritious and delicious dish. Something that is 100% sugar like idk Hello Kitty can be good in small, infrequent doses, but if you only watch Hello Kitty or only eat candy you’ll rot your teeth, too much of a good thing is a bad thing as usual. However, I think Murder Drones is trying too hard to have that good balance, it tries too hard to emulate other cartoon shows of our modern era rather than only have the elements it needs and do them well too. To really cement how bad all of these individual ingredients are I’ll cover them on their own first, but after we’ve gone through all of Murder Drones’ genres we’ll have to see how well they mesh together.
The genre the series seems to first be interested in super duper early on is comedy, very bad comedy. The first joke in the series is a fucking fantastic classic: character A says something will or won’t happen, and the opposite occurs, cue laugh track, this happens mid-Uzi’s conversation with her dad so the setup is already coming from a mile or ten away, but the punchline keeps on going as the door opens and the guy is like get some new cards because our playing cards’ paint is wearing off from how extremely frequently they play cards. The joke and delivery are already lacking, but the joke goes on for so long that I could have sworn I was watching an episode of Girl Meets World, a show where each joke runs longer than the plot of the episodes. All of the jokes in this show are just as unfunny as the first one, not all of them are as bad or run unnecessarily long, but Jesus Christ even the final joke of the series is a groaner. Uzi’s mom who is a character because the plot demands it runs away from her husband like a teenage girl refusing to acknowledge her feelings for him while her husband looks on and says she’s strange alluring or something like that.
The final joke of this series is a mom acting like a teenage girl because isn’t that wacky and her husband still being attracted to her despite believing she’s dead because isn’t that wacky… Neither of those are jokes, they’re just things presented in a comedic fashion, that doesn’t make them funny, a lot of the “jokes” in this show are like that, it feels like someone’s dangling keys in front of my face and even as a baby I never rocked with that shit because that shit is mad annoying and I already have sensitive ears. Speaking of sensitive sensory sensations, I also have a wolf-like nose and I smell a mystery afoot.
Yeah, I couldn’t think of a better segue into the mystery part of this show, it’s bad. Episode one presents us the audience with nothing but questions, how did the world get like this exactly, we get the necessary exposition, but that doesn’t tell us a lot of things and Uzi even states several times she wants to solve this mystery. She’s the typical young, coming-of-age protagonist in a mystery story in that way, like Dipper before her she’s paranoid and hungry for knowledge leading her to look down on the people whose worldview isn’t as skeptical nor narrow as her own. That’s probably me reading into character work and connections between Dipper and Uzi that 100% do not exist because of how fucking short Murder Drones is, but still, it is undeniably a mystery show with how much the characters talk about there being a mystery and trying to solve it, but we kind of never do. Instead, we’re strapped down and spoon food everything we were told we wanted to know and needed to figure out rather than properly solve it gradually, episode by episode like other mystery shows, or by having a genius breakdown of how they solved the mystery like Sherlock Holmes. No, just about every mystery is solved by episode 4 or 5 and then the series is speed-running toward the ending. For that reason, it would be more accurate to call Murder Drones an exposition series rather than a mystery series of any degree.
The horror aspects of this series aren’t nearly as bad as the supposed mysteries, but they aren’t good either, every horrific scene isn’t scary, and none of the monster designs scare me at all. That last one is definitely a preference, so allow me to explain how even The Conjuring: The Devil made me do it has a better horror scene than this rubbish, specifically a scene that takes place in a cave-like, mine-shafty area. The conjuring scene as I’ve explained both in the analysis of that movie and the analysis of the first two or so movies is pretty well directed and more importantly for our discussion today, the sound design is good. I distinctly remember the noise giving off the air and vibe of true, genuine claustrophobia, and sure all schlock modern horror movies want to achieve this effect of suffocating the audience with fear, but only a select fear manage it while the rest only serve to be superficially suffocating with their stock sound design and cheap sound effects. Yet, Murder Drones lacks even this the scene where a character is in a mineshaft feels so positively sauceless, I’m not asking for this animation team to do some cool Blair witch project type shit and actually raw record sounds in an actual decrepit and dangerous mineshaft, but come on open up the sound pack for Minecraft and get to work people.
The lazy attempts at atmosphere and immersion are too generic without any unique or powerful spin on them that makes them really become their own, when Uzi starts transforming into a Murder drone in the woods it reminds me of so many other instances of people transforming in the woods only to hunt and violate their friends. The final episode’s stock horror scene where the big bad uses a bunch of hands to chase down the good guys(don’t even get me started man, I’m already started) should make me feel uncomfortable for how unsightly or uncanny it is, but I just remembered thinking about better indie horror experiences I’d rather watch and enjoy like the Walten files. Even a scene that insane sounding doesn’t feel uniquely Murder Drones because there is none of the effort or loving care behind it like the Babadook, Walten files, or Battington which as I’ve explained in other posts are effective at taking classic scary ideas and scenes and uniquely iterating on them. Murder Drones like many other modern horror movies-Tarot as an example feels almost entirely sauceless despite trying so hard to reinvent the wheel or at least pretty it up.
These elements of the show are easily the largest, well except horror maybe it’s probably more on par with the action parts of the series or a little less important. Speaking of, the action is good and fun because the animation is good and fun, but no dip this is indie animation. I don’t think any of the series people give a crap about are bad or ugly looking at all, so do I really need to point out that Murder Drones is good-looking and well-choreographed, I mean sure the animation especially the action stuff got much better with the first episode using fucking ding dong special effects while the final episode was likely testing the limits of technical and physical skill for the animators involved. The romance is the exact opposite, not quality-wise it’s still good and I like it too, but like c’mon this quite literally isn’t Shakespeare, N is “dead” for all of less than ten minutes until he’s back? Uzi’s risky maneuver in the end has no consequences for her or anyone or thing, but hey she blushes near N and N blushes near her, she’s goth, he’s a golden retriever, whatever I haven’t had my heart to coal surgery yet so I’ll go ahead and call this a good enough romance. Despite this though, there’s an even more malicious problem with Murder Drone’s many genres and that would be its:
Every genre that incorporates any piece of media is going to affect its tone regardless of the genre’s quality in said piece, so technically even a terrible bad horror movie can still be tonally consistent and most are that way. Moreover, the failings of such things typically reflect deeper and several more issues like let’s look at how the poorly incorporated genres of Murder Drones affect it more generally rather than just each one individually. The poor comedy and mystery writing both reflect a weak script with particularly poor forethought, with the latter more so being responsible for insanely fast pacing and an extremely weak narrative as a result of the extreme exposition dumps. Yeah, I haven’t mentioned it before now, but Murder Drones is only 8 episodes long so this is a series that isn’t long enough to contest with anime like What Erased that are only 13 episodes and its pacing is insane and it has a weak script that is forced to juggle so many different elements and tones, while leaving enough time to catch the audience up to speed. This is the perfect shit story for tonal inconsistency to occur and this is probably one of Murder Drones’ most infamous critiques.
In one episode the idea and notion of the Murder Drones threatening and thoughtlessly killing the regular defenseless robots, their primary targets being teens at prom(let’s just ignore that) as a joke and it’s supposed to be taken extremely seriously in the proceeding episodes as robots are senselessly and brutally killed, their lives being treated with significant weight and importance. This is already tonal inconsistency in the very short series, but then the episode after the prom is a fucking tonal roller coaster, robots are killed for laughs, then it’s serious, then for laughs, and finally it’s serious again, and you might think my sort of vague explanation is shit that I’m leaving out context that makes these different tones, but I am not. Furthermore, even if I was wrong or lying sure in several different episodes you can setup some specific circumstances and scenarios that condone and mesh well with the tone you go for each episode, there are series that I think have done this extremely well like uhm the first thing that came to mind was One Piece. Like a lot of other arcs, Amazon Lily’s first few episodes are, well not carefree, but they’re lighthearted and goofy with that One Piece whimsy and charm to them whereas like the second half of the arc or so is all very world building heavy and serious storytelling.
This is only possible because of One Piece’s excellent understanding of context and circumstance and how these color the world, characters, and their interactions/reactions with each other, so of course things can be cool when our guys don’t know what’s going on or aren’t thinking much about where they are and whatnot, but once they understand the significance of what’s going on then they lock-in. In One Piece this is typically conveyed by Luffy’s change in attitude in the arc and the moment when he locks in, reflecting the moment that the rest of his crew/us the audience have resolved to stop evil or do the right thing, it marks the point when the tone changes. However, doing this technique mid-episode once can be pretty decently difficult, you have to portray this change in context and perspective mid-episode, but it can be done, doing it again in the same episode is even more difficult, and then I think you see where I’m going with this: a tonal rollercoaster like the fourth or so episode of Murder drones, the one where they go to the cabin knee jerks its tone too many to remain coherent/cohesive. The One Piece method isn’t the only way to convey a change in tone though, if we’re trying to go for something as radical as Murder Drone in the intensity of the tonal change and close frequency another anime-like series would probably be more appropriate to talk about.
I am of course talking about the visual novel series I wish had a good anime: Danganronpa, I wrote an entire extremely in-depth post/essay on this trilogy already, but I’ll go ahead and say it again that Danganronpa is the king of juxtaposition. I have watched so much shit since then, watched so many other series, anime, video game lets play, and movies. I don’t think anything I’ve tackled, enjoyed, or hated since Danganronpa is so insistent on clashing contradictory ideas/things to highlight the best and strongest part(s) of these clashing things. Take how Danganronpa V3 has Himiko start joking around and become a much more lighthearted character the morning after the murder of her two friends and their murderer, the despair from the previous night and the new energy Himiko brings highlight and contradict each other and I think Murder Drones easily could have wielded the power of juxtaposition for its own good and make all the tonal inconsistency mean something and be there for a reason, resulting in a comprehensive story rather than a nauseating headache which is all that I feel after that tonal rollercoaster.
Don’t get me wrong, the tonal inconsistency isn‘t constrained to the first half of Murder Drones, but since the mystery hasn’t been spoonfed to the audience yet it has some of the most clear and egregious tonal inconsistency. The final episode also has weird sort of cringe moments such as the bay ineffective horror scenes we talked about early or the joke about N and J(I forget the female murder drone who’s a good guy, it’s been a hot minute plus I don’t care) are hot which like they’re not, this quip literally comes out of nowhere and doesn’t make any fucking sense in context at all. Like what a weird aside in the otherwise good and effective boss fight, doesn’t mean how we got here was good at all, good heavens no this story is a fucking trainwreck, if the writers for this series work on another project and I see their name I’m probably going to pop like ibuprofen or 12 so I can get through it.
Like I’m tempted to get into stuff like how a single episode is basically the exposition dump for everything we need to know, Uzi’s mother is conveniently alive, conveniently competent, and conveniently cool because why not? The big bad, what’s her face is like so random adorbs, scary, funny, but she isn’t and I hate her, even the twist that she killed a woman and is wearing her skin wasn’t enough to make her an effective villain. Probably because like her character, personality, and seeming overall existence, it came out of fucking nowhere. We’re not getting into any of that because I don’t find any of it all that interesting, I’d rather move on to:
There isn’t all that much, but keep in mind I still don’t dislike Murder Drones the whole point of giving it a proper review even if so heavy on the negative content that this rant is being written on my negative rants google doc, I still do not think it is bad, and I find that interesting. My rating is gonna be low and reflects how this series is deeply flawed, butDrones ultimately I was still decently entertained by Murder Drones. Anyhow, allow me to say I do like the characters, nobody is too special or unique, but they all do what they were built to do. Eh, get it? Because they’re robots…No? No takers? Uzi as a protagonist is effective and she and her cast mates are all consistently characterized while fulfilling their roles. As previously said the romance is also good, likely as a result of the fairly strong character work, though these elements of good writing are absolutely unrelated to the pretty good animation which becomes gorgeous from like episode four going forward, The second half of this cartoon is fucking gorgeous, the only western cartoons I can think of that look as good from a similar time period are Monkey Wrench, go check it out it fucks, and tales of the TMNT which is unfortunately an incomprehensible mess, but that may be a rant for another time. The final thing I like is the music and that’s it, that is truly it, so all that’s left now is the rating for this: 5-6/10 yeah after yapping so long and explaining so in-depth, like I said kind of a crappy score, mid to decent at best, but I feel like I liked Murder Drones more than that. The final three episodes were really fun even if I continued to have issues and nitpick it was still fun and overall, I think that reflects how I feel about Murder Drones overall so full of issues and nitpick material, but truly, sincerely fun.

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